Flirt! (song) - Wikipedia
AWARD have a backdoor, a generic password: AWARD_SW; SOYO motherboard have south-park-episodes.info We're building more than innovative technologies; we're striving to create a more sustainable, more efficient, and safer future by enhancing human perception. Del Shannon was an American rock and roll and country musician and singer- songwriter, best Santa Clarita, California, United States He found part-time work as a rhythm guitarist in the singer Doug DeMott's "Little Town Flirt", in (with Bob Babbitt), reached number 12 in , as did the album of the same title.
High hopes were once formed of democracy; but democracy means simply the bludgeoning of the people by the people for the people. All authority is quite degrading. It degrades those who exercise it, and degrades those over whom it is exercised. When private property is abolished there will be no necessity for crime, no demand for it; it will cease to exist. The fact is, that civilisation requires slaves. The Greeks were quite right there.
Unless there are slaves to do the ugly, horrible, uninteresting work, culture and contemplation become almost impossible. Human slavery is wrong, insecure, and demoralizing. On mechanical slavery, on the slavery of the machine, the future of the world depends. A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing.
A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is.
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It has nothing to do with the fact that other people want what they want. Indeed, the moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist, and becomes a dull or an amusing craftsman, an honest or a dishonest tradesman.
He has no further claim to be considered as an artist. Art is the most intense mode of individualism that the world has known. I am inclined to say that it is the only real mode of individualism that the world has known. Crime, which, under certain conditions, may seem to have created individualism, must take cognisance of other people and interfere with them.
It belongs to the sphere of action. But alone, without any reference to his neighbours, without any interference, the artist can fashion a beautiful thing; and if he does not do it solely for his own pleasure, he is not an artist at all.
Art is this intense form of individualism that makes the public try to exercise over it an authority that is as immoral as it is ridiculous, and as corrupting as it is contemptible.
It is not quite their fault. The public have always, and in every age, been badly brought up. They are continually asking Art to be popular, to please their want of taste, to flatter their absurd vanity, to tell them what they have been told before, to show them what they ought to be tired of seeing, to amuse them when they feel heavy after eating too much, and to distract their thoughts when they are wearied of their own stupidity. Now Art should never try to be popular. The public should try to make itself artistic.
Art is Individualism, and Individualism is a disturbing and disintegrating force. Therein lies its immense value. For what it seeks to disturb is monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine. An individual who has to make things for the use of others, and with reference to their wants and their wishes, does not work with interest, and consequently cannot put into his work what is best in him.
Upon the other hand, whenever a community or a powerful section of a community, or a government of any kind, attempts to dictate to the artist what he is to do, Art either entirely vanishes, or becomes stereotyped, or degenerates into a low and ignoble form of craft.
They are always asking a writer why he does not write like somebody else, or a painter why he does not paint like somebody else, quite oblivious of the fact that if either of them did anything of the kind he would cease to be an artist.
If a man approaches a work of art with any desire to exercise authority over it and the artist, he approaches it in such a spirit that he cannot receive any artistic impression from it at all.
The work of art is to dominate the spectator: The spectator is to be receptive. He is to be the violin on which the master is to play. And the more completely he can suppress his own silly views, his own foolish prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question. The one thing that the public dislike is novelty.
Any attempt to extend the subject matter of art is extremely distasteful to the public; and yet the vitality and progress of art depend in a large measure on the continual extension of subject-matter. The public dislike novelty because they are afraid of it. It represents to them a mode of Individualism, an assertion on the part of the artist that he selects his own subject, and treats it as he chooses. In Art, the public accept what has been, because they cannot alter it, not because they appreciate it.
They swallow their classics whole, and never taste them. They endure them as the inevitable, and, as they cannot mar them, they mouth about them A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry and bewildered that they always use two stupid expressions - one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral.
And it is only fair to state, with regard to modern journalists, that they always apologise to one in private for what they have written against one in public. In old days men had the rack. Now they have the press. In America the President reigns for four years, and Journalism governs for ever and ever. People sometimes inquire what form of government is most suitable for an artist to live under. To this question there is only one answer. The form of government that is most suitable to the artist is no government at all.
Authority over him and his art is ridiculous. There are as many perfections as there are imperfect men. And while to the claims of charity a man may yield and yet be free, to the claims of conformity no man may yield and remain free at all.
There are three kinds of despots. There is the despot who tyrannises over the body. There is the despot who tyrannises over the soul. There is the despot who tyrannises over the soul and body alike. The first is called the Prince. The second is called the Pope. The third is called the People. The only thing that one really knows about human nature is that it changes. Change is the one quality we can predicate of it. The systems that fail are those that rely on the permanency of human nature, and not on its growth and development.
The error of Louis XIV was that he thought human nature would always be the same. The result of his error was the French Revolution.
It was an admirable result. All the results of the mistakes of governments are quite admirable. Selfishness is not living as one wishes to live, it is asking others to live as one wishes to live. A man who does not think for himself does not think at all. For what man has sought for is, indeed, neither pain nor pleasure, but simply Life.
Man has sought to live intensely, fully, perfectly. When he can do so without exercising restraint on others, or suffering it ever, and his activities are all pleasurable to him, he will be saner, healthier, more civilised, more himself. Pleasure is Nature's test, her sign of approval.
Baez added other instruments to her recordings on Farewell, Angelinawhich features several Dylan songs interspersed with more traditional fare. Deciding to experiment with different styles, Baez turned to Peter Schickelea classical music composer, who provided classical orchestration for her next three albums: A Journey Through Our Time InBaez traveled to Nashville, Tennesseewhere a marathon recording session resulted in two albums.
The first, Any Day Nowconsists exclusively of Dylan covers. The other, the country-music-infused David's Albumwas recorded for then-husband David Harrisa prominent anti- Vietnam War protester eventually imprisoned for draft resistance. Harris, a country-music fan, turned Baez toward more complex country-rock influences beginning with David's Album. Later inshe published her first memoir, Daybreak by Dial Press.Michel Delpech - Pour Un Flirt 1971 (HQ)
Inher appearance at Woodstock in upstate New York afforded her an international musical and political podium, particularly upon the successful release of the documentary film Woodstock One Day at a Time, like David's Album, featured a decidedly country sound. Baez's distinctive vocal style and political activism had a significant impact on popular music.
She was one of the first musicians to use her popularity as a vehicle for social protest, singing and marching for human rights and peace.
Pete SeegerOdettaand decades-long friend Harry Belafonte were her early social justice advocate influences. She delivered them one last success with the gold-selling album Blessed Are Joan Baez wrote "The Story of Bangladesh" in This song was based on the Pakistani army crackdown on unarmed sleeping Bengali students at Dhaka University on March 25,which ignited the prolonged nine-month Bangladesh Liberation War. The two songs were issued as a single on Decca Half spoken word poem and half tape-recorded sounds, the song documented Baez's visit to HanoiNorth Vietnamin December during which she and her traveling companions survived the day-long Christmas Bombings campaign over Hanoi and Haiphong.
Gracias a la Vida the title song written and first performed by Chilean folk singer Violeta Parra followed and was a success in both the U. After Gulf Windsan album of entirely self-composed songs and From Every Stagea live album that had Baez performing songs "from every stage" of her career, Baez again parted ways with a record label when she moved to CBS Records for Blowin' Away and Honest Lullaby Inshe appeared on the Grammy Awardsperforming Dylan's anthemic " Blowin' in the Wind ", a song she first performed twenty years earlier.
Baez also played a significant role in the Live Aid concert for African famine relief, opening the U. She has toured on behalf of many other causes, including Amnesty International 's A Conspiracy of Hope tour and a guest spot on their subsequent Human Rights Now!
Baez found herself without an American label for the release of Live Europe 83which was released in Europe and Canada but not released commercially in the U. That same year, she traveled to the Middle East to visit with and sing songs of peace for Israel and the Palestinians. During her performance, she greeted members of Charter 77a dissident human-rights group, which resulted in her microphone being shut off abruptly. Baez then proceeded to sing a cappella for the nearly four thousand gathered.
It respects the audience enough to take away their own opinion". Portman starred in the children's film Mr. Magorium's Wonder Emporiumwhich began filming in April and was released in November ; she has said that she was "excited to do a kids' movie.
She won acclaim for her role as gambler Leslie, because "[f]or once she's not playing a waif or a child princess but a mature, full-bodied woman She uses her appeal to simultaneously flirt with and taunt the gambler across the table.
That same year, she founded the production company, Handsomecharlie Films as a reference to her dog Charlie, who died. She was also an executive producer on the film. The ASA ruled that the photographs of Portman "misleadingly exaggerated the likely effects of the product".
Portman also starred in the film and was a co-writer on the script. InPortman starred in the science fiction horror film Annihilationas a biologist and former soldier.
Later, at a naming ceremony, Portman named a baby gorilla Gukina, which means "to play. In andshe traveled to UgandaGuatemala, and Ecuador as the Ambassador of Hope for FINCA Internationalan organization that promotes micro-lending to help finance women-owned businesses in developing countries. Host Fareed Zakaria said that he was "generally wary of celebrities with fashionable causes", but included the segment with Portman because "she really knew her stuff".
In a interview, she also stated: I disagree with his war stance — which is a really big deal — but I think he's a very moral person.