The Taming of the Shrew Study Guide - Teacher Edition Induction, Scene One Vocabulary anon: . Lucentio has an easy, friendly relationship with his servants. Why does Petruchio feel so confident he can withstand Kate's sharp tongue?. Free summary and analysis of Act 2, Scene 1 in William Shakespeare's The Taming Sounds good to Petruchio, who promises Baptista that if he dies before Kate He informs Kate that Baptista has agreed to a marriage, the dowry has been. Myself am moved to woo thee for my wife. PETRUCHIO. Liar. In fact, you're called Kate, plain Kate—and pretty Kate, and sometimes Kate the shrew. But it's.
How do they feel about each other, and why? He is critical of Kate and protective of Bianca: Kate displays a fiery anger toward her father, but the extent that she is hurt by his favoritism is clear, too.
Her fury may well be fueled by her hurt. Talk not to me. In this scene, the institution of marriage is characterized mainly as a financial transaction. Describe how this idea is enforced in the dialogue between Bianca and Kate, as well as in the dialogue between Petruchio and Baptista and among Baptista, Gremio, and Tranio. This suggests that Baptista feels Kate has some choice in the matter of her husband and that he understands what she might need to make her happy. Petruchio is strong-willed, and as Kate is, too, he feels that they are equally matched.
Neither will drown the other out, but rather their meeting of passion will temper them both. Why is it unusual? What might be motivating Petruchio to respond this way? He may genuinely be impressed by a woman who is feisty, finding that feistiness attractive.
As revealed in his soliloquy, how does Petruchio plan to win Kate over? Petruchio plans to win Kate over through flattery, no matter how horribly she treats him: Describe the first meeting between Petruchio and Kate. In what ways is the dialogue different from the other dialogue in the play? The dialogue between Petruchio and Kate follows a very quick pace. For most of their exchange, each speaks just one witty line before the other responds. Though other scenes also incorporate wordplay, nowhere is it more evidenced than in the exchange between Petruchio and Kate, who seem to deftly pile pun upon pun.
Clearly, each is a gifted and quick-witted linguist. Petruchio gains the upper hand. Kate has not exchanged insults with someone as quick-witted as Petruchio, and she seems frustrated by the challenge he presents.
The Taming of the Shrew
Petruchio, though he aims to flatter and indulge her through most of their dialogue, also deals with her firmly. Why does he do this? Petruchio tells the other men that Kate is affectionate and loving in private, but they have agreed that in public she need not be: Why does Kate acquiesce to the marriage? What other motivations might account for her silence? Kate is quiet after Petruchio tells his lie to the others.
It is possible she feels defeated and does not want to fight anymore.
Finally, it is also possible that she really is attracted to Petruchio and does want to marry him. Which man wins the right to court Bianca, and why? Tranio as Lucentio wins the right to court Bianca because he has more inheritance to offer her should he die. What does it imply? This complication suggests that the play will involve even more lies and deceit. What is the relationship between Lucentio and Hortensio? How do they interact with each other? Through what means do Bianca and Lucentio flirt?
Bianca, in turn, neither rejects Lucentio nor accepts him. How does she seem different?
The Taming of the Shrew
In this scene, how- SGT: In this scene, Bianca is independent, strong, and clever; she assumes control, something she has not done previously. Hortensio claims he will no longer seek to court Bianca if she would stoop to flirt with her tutor. Hortensio may be trying to save his ego and his credibility by rejecting Bianca before she can reject him in a more straightforward manner.
What is the overall mood of this scene? The mood is light and amusing. Describe the role of disguise and pretense in this scene.
Disguise and pretense play a large role, as nothing actually is what it appears to be. Lucentio, disguised as Cambio, communicates with Bianca through pretending to study Ovid. Hortensio is disguised as Litio; he communicates with Bianca through a written accounting of the scales. Why is Kate distraught over the thought that Petruchio may not show up for their wedding, given that she was opposed to the wedding from the beginning? Though Kate does not want to marry Petruchio, it is now public knowledge that she will marry him, and she fears being humiliated: Why does his attire upset Baptista?
How does Baptista express his anger? His attire expresses a lack of respect for the importance of the wedding and a lack of respect for Baptista, the father of the bride who has planned and undoubtedly funded the wedding. How does Petruchio respond in regard to his lateness and his clothing?
What might his intent be? Petruchio is evasive about his attire and his tardiness, changing the focus of the conversation to Kate and proclaiming that he would like to kiss her.
He brushes off any suggestion that his clothes convey disrespect: What recounting does Gremio offer of the wedding ceremony? Why might Shakespeare have decided to relay the events through Gremio rather than stage the scene for the audience? Gremio explains to Tranio and Lucentio that Petruchio behaved horribly during the wedding ceremony, making Kate seem like a lamb in comparison. Petruchio cursed, causing the priest to drop the Bible he was using in the ceremony.
When the priest bent down to pick up the Bible, Petruchio struck him. Describe the first confrontation between Kate and Petruchio as husband and wife. Who prevails, and how? She asserts her will, and she fails.
Petruchio insults Kate in front of everyone: How do the rest of the characters respond once Kate and Petruchio have left? They had not previously realized how volatile and abusive he can be. What does Grumio tell Curtis happened on the journey home? Grumio tells Curtis that at one point in their journey, Kate fell off her horse and Petruchio used that as a reason to blame—and beat—Grumio.
Grumio is likely implying that because Petruchio has been behaving so badly, the scene will be a volatile one when he gets home with Kate. This implication raises suspense, as the audience anticipates what else will happen between them.
Kate has a reputation for being shrill and unkind, and Petruchio is using these very characteristics in order to quiet Kate. He is, in effect, out-shrewing the shrew. Kate finds herself in a situation in which she is confused and baffled by the new world unfolding around her.
SCENE I. Padua. A room in BAPTISTA'S house.
Christopher Sly, in the Induction, feels the same way when he awakes from his sleep to find the lord and a bevy of servants treating him as a noble. He denies her food on the pretext that the food is not suitable for her to eat. He deprives her of sleep by thrashing about and complaining that the bed has not been made properly enough for her.
His plan does seem to be working, in that Kate has not seemed shrill or harsh, but rather confused and kind to the servants. What does it suggest about Petruchio that he compares her to one? Through the metaphor, Petruchio attempts to employ logic to justify starving her. In comparing Kate to a falcon, Petruchio indicates that he sees her as if she were an animal with the sole purpose of obeying and serving him.
How does Tranio trick Hortensio into giving up his pursuit of Bianca? Tranio, in the guise of Lucentio, pretends to be shocked and dismayed that Bianca would show affection towards Cambio, a mere schoolmaster.
He makes a deal with Hortensio, who comes forward with his true identity, that neither of them will marry Bianca. Of course, Tranio can easily make and keep this promise because he is not actually Lucentio. According to Tranio, who is the master of the taming school? Petruchio is the master of the taming school. How does Tranio trick the pedant into assuming the identity of Vincentio?
Tranio finds out the pedant is from Mantua and then concocts a story about those from Mantua not being permitted in Padua, the result of political bickering. What does the audience learn about him? Tranio is incredibly clever. He makes quick work of getting Hortensio out of the competition for Bianca, and he also convinces a stranger to assume the identity of another man.
Tranio does all of this for Lucentio, demonstrating his loyalty to him. How is food used in this scene? Food is used to torture—and thus tame—Kate. Knowing how hungry she must be, Grumio speaks of a variety of meats he might procure for Kate, but he then tells her they are not good for her temperament. Petruchio actually does produce meat for Kate, but he insists she thank him before he will give it to her. She has not known deprivation, which undoubtedly makes her predicament more challenging for her.
Toward what purpose is clothing used in this scene? Like food, clothing is used as a means to tame Kate. Just as Petruchio presented food to Kate only to prevent her from eating it, he presents a hat and dress only to keep it from her. When Kate compliments the clothing, her meaning is deliberately misconstrued.
It is a paltry cap. How does Petruchio continue to kill Kate with kindness? His actions and his words are completely at odds; though Kate speaks, she is essentially voiceless. Kate still exhibits some of the fire she showed before she married Petruchio.
I am no child, no babe. Why does Kate accuse Petruchio of making her a puppet?
How does Petruchio respond to this accusation? Kate understands that Petruchio is trying to bend her to his will so that she will say only what he wants her to say and will do only what he commands her to do. Describe the conversation about the time of day between Kate and Petruchio. What point is Petruchio making?
How might this scene be played in different ways? This scene could be played seriously, its tone disturbing. They are physically stronger than she is, and they outnumber her.
What does the pedant fear about Baptista? The pedant met Baptista years before; he fears Baptista will recognize him and know he is not Vincentio. Does the pedant do a convincing job acting as Vincentio? Why or why not? The pedant does do a convincing job acting as Vincentio.
He gives an eloquent speech about the love between Lucentio and Bianca and graciously offers his support of the union. Baptista fully believes the pedant is Vincentio. What does Biondello think Lucentio—who is still disguised as Cambio—should do immediately, and why? Biondello thinks Lucentio should find a priest and marry Bianca that afternoon.
What does he mean, and what connotation does it have? Biondello is casting Bianca as merely an appendage to Lucentio, which discredits her worth. Another interpretation could be that he sees Bianca as an empty book that Lucentio will fill with pages as he sees fit.
What game with regard to the sun and the moon does Petruchio play with Kate? What is his purpose? Although it is daytime, Petruchio admires the moon while clearly referring to the sun. When Kate corrects him, he orders the servants to direct the horses homeward; he will not progress on their journey unless Kate agrees with him.
Once she does as he wishes and agrees the sun is the moon, he tells her it is the sun, to which she also agrees. He is trying to train Kate to obey him and humor him, even if he is being ridiculous. How does each of these comparisons objectify her?
Kate is a passive object in both of these metaphors. When Petruchio invokes the game of bowling, he also makes Kate a passive object; she is either the ball being directed towards the pins or the pins standing still, waiting to be knocked down. How does Petruchio make Vincentio a prop in his taming of Kate?
Petruchio refers to Vincentio as a young maiden, even though clearly he is not. Kate agrees with him despite all the facts indicating that Vincentio is not a young maiden; when Petruchio ridicules her for her mistake, she again agrees with his narrative and says she was just mistaken. While Kate is agreeing with Petruchio that Vincentio is a young maiden, she addresses Vincentio with the following speech: Young budding virgin, fair and fresh and sweet, Whither away, or where is thy abode?
Happy the parents of so fair a child; Happier the man, whom favourable stars Allot thee for his lovely bedfellow! Why might Kate make such an embellished speech, instead of merely acknowledging Vincentio is a maiden as Petruchio has said? Petruchio plans to win Kate over through flattery, no matter how horribly she treats him: Describe the first meeting between Petruchio and Kate.
In what ways is the dialogue different from the other dialogue in the play? The dialogue between Petruchio and Kate follows a very quick pace. For most of their exchange, each speaks just one witty line before the other responds. Though other scenes also incorporate wordplay, nowhere is it more evidenced than in the exchange between Petruchio and Katewho seem to deftly pile pun upon pun.
Clearly, each is a gifted and quick-witted linguist. Petruchio gains the upper hand. Kate has not exchanged insults with someone as quick-witted as Petruchio, and she seems frustrated by the challenge he presents. Petruchio, though he aims to flatter and indulge her through most of their dialogue, also deals with her firmly.
Why does he do this? Petruchio tells the other men that Kate is affectionate and loving in privatebut they have agreed that in public she need not be: Why does Kate acquiesce to the marriage? What other motivations might account for her silence?
Kate is quiet after Petruchio tells his lie to the others. It is possible she feels defeated and does not want to fight anymore. Finally, it is also possible that she really is attracted to Petruchio and does want to marry him.